Secrets Taylor Swift Revealed About Her Relationships On Her Album Lover

Taylor Swift's album Lover, the seventh studio album from the superstar, was finally released on Friday, Aug. 23, 2019, following months of speculation and many an Easter egg from the queen of dropping hints. Following Reputation, Swift's undisputedly darkest era, Lover — with its cotton candy music video visuals and fresh, poppy sound — was perhaps Swift's most-anticipated album to-date. 

As noted by fans and critics alike, Lover is also Swift's most personal album ever. The songstress is known for the catchy, autobiographical, and largely self-written lyrics that propelled her to fame, and Lover certainly doesn't lack for a bevy of songs fit for some kind of pop music confessional. With Lover, Swift tackles sexism, her mother's battle with cancer, and, on a happier note, her incredibly private relationship with British actor Joe Alwyn. With the album, Swift has proven that she's no longer a heartbroken teenage girl. Instead, she's a woman who has learned from her losses and has turned them into Lover. Now, she's ready to take her fans "into the daylight" with her, and she's sharing some intimate details along the way. Here's a look at the secrets Taylor Swift revealed about her relationships on her album, Lover.

Taylor Swift has never been one to shy away from revealing intimate details about her personal relationships, and she's never been scared to call an ex-lover out by name ("Dear John" is widely accepted by fans to be a song about her short-lived relationship with John Mayer).

That said, the singer has been famously private about the details surrounding her romance with actor Joe Alwyn, whom she's dated for nearly three years as of Lover's release. The two rarely — if ever — interact on social media, talk about each other in interviews, or make public appearances together. However, with Taylor Swift's album Lover, she decided to give fans an inside look at their relationship — possibly even revealing exactly where she first fell in love with him.

In "Cornelia Street," Swift sings about the New York City street on which she lived during the beginning of a love story, presumably with Alwyn. The songstress reminisces about the "sacred new beginnings" that took place in her old apartment on that street, admitting that if her lover were to ever leave her, she'd "never walk Cornelia Street again."

After Taylor Swift's cruel summer of 2016, the singer retreated from the spotlight in a major way. She stopped giving interviews, walked sideways in an attempt to evade the flashing cameras of the paparazzi, and took whatever route possible to avoid becoming another tabloid headline. Ironically, during her darkest days, Swift entered into the relationship that would go on to inspire her happiest, most romantic album yet. However, due to the lengths she went to for peace and privacy, no one knew that Swift was falling in love in late 2016 — and, according to her diary, that's exactly how the songstress wanted things to stay. 

In a January 2017 diary entry released with a deluxe version of Lover (via Reddit), Swift wrote about her relationship with Joe Alwyn, revealing, "I'm essentially based in London, hiding out, trying to protect us from the nasty world that just wants to ruin things." The singer continued, "We have been together and no one has found out for [three] months now. I want it to stay that way because I don't want anything about this to change."

Many Swifties felt that "Lover," with its slow, enchanting Mazzy Star sound and unmistakably romantic lyrics, was a hint from Taylor Swift that she and Joe Alwyn were secretly engaged. Some fans even theorized that the title track's music video would consist of footage from Swift and Alwyn's engagement — or maybe even their marriage. And while those theories were put to rest when the actual music video was released on Aug. 22, 2019 — Swift made it crystal clear with her self-written lyrics in "Lover" that she hopes to someday marry her British beau. 

In what is sure to be the go-to wedding song for couples across the globe, Swift reveals that she wants to go where her lover goes "forever and ever," singing, "I've loved you three summers now, honey, but I want 'em all." In the song's bridge, Swift sings hypothetical wedding vows, delicately crooning, "Ladies and gentleman, will you please stand? / With every guitar string scar on my hand / I take this magnetic force of a man to be my lover." Does anyone else hear wedding bells?

Taylor Swift has always been vocal about the close bond she shares with her mother, Andrea — even writing a song about how much she cherishes their relationship. That song, titled "The Best Day," is the 12th track on Swift's second studio album, Fearless. In a callback to the sweet, acoustic tune from Swift's early days as a rising star, the 12th track on Lover was also written about Andrea. However, unlike "The Best Day," the dedication to Swift's beloved mother on Lover – a collaboration with the Dixie Chicks titled "Soon You'll Get Better" — is a far cry from a feel-good song. Instead, it's a heartbreaking ballad penned by Swift about her mother's battle with cancer. 

In the emotional tune, Swift admits that she turned to faith to help her cope with her mother's illness, singing, "Holy orange bottles, each night, I pray to you / Desperate people find faith, so now I pray to Jesus, too." The song is perhaps Swift's most personal. As she revealed in an interview with CBS Sunday Morning, "I can't even really hear [it] — I can't even listen to it."

Released in October 2012, Taylor Swift's fourth studio album, Red, was the start of her country-to-pop crossover. Containing some of her most beloved songs, including "State of Grace," "All Too Well," and "22," Red was definitely a game-changer for Swift's career. Of course, writing songs about the nuances of heartache is what Swift does best — so it should come as no surprise that many of the tracks on the Grammy-nominated album were reportedly inspired by the singer's December 2010 breakup with actor Jake Gyllenhaal.

In the album's title track, Swift sings about the various colors of falling in and out of love, belting, "Losing him was blue like I've never known ... But loving him was red." However, it appears that Swift's relationship with Joe Alwyn has the star seeing love in a different color. In "Daylight," the last song on Swift's Lover, she sings, "I once believed love would be (black and white) / But it's golden," noting, "I once believed love would be (burning red) / But it's golden, like daylight." 

Scott Borchetta — the president of Taylor Swift's previous (and very first) label, Big Machine Records — became headline news in June 2019 when it was announced that he'd sold Big Machine Label Group for approximately $300 million dollars to talent manager Scooter Braun. Swift, who signed with Republic Records and Universal Music Group in November 2018, soon went public with her thoughts on Borchetta's decision, writing that all she could think about was Braun's "incessant, manipulative bullying." She continued, "This is my worst case scenario. This is what happens when you sign a deal at fifteen to someone for whom the term 'loyalty' is clearly just a contractual concept."

However, as old diary entries released with the deluxe editions of Lover reveal, Swift was excited and hopeful about her budding professional relationship with Borchetta before her career started to take off. "[Borchetta's] so passionate about this project," Swift wrote in a 2004 entry (via Entertainment Tonight), noting, "I want to surround myself with passionate people." The star went on, "I'm not sad about [not signing with] Capitol, [because] I don't want to be lost on a big label."